Wednesday, January 29, 2020

Loneliness in Of Mice and Men Essay Example for Free

Loneliness in Of Mice and Men Essay Explore the issues connected with loneliness in John Steinbecks Of Mice and Men. Loneliness is examined carefully in Of Mice and Men. In the world of itinerant ranch-hands, loneliness is an inescapable part of life and Steinbeck records this through the plot and characters in his novel. Being lonely is the lack of an emotional, mutual bond, which leads the characters to lose a sense of self-worth and dignity. This essay explores what Steinbeck discusses about loneliness in Of Mice and Men and how he uses the characters of Candy, Crooks, George, Lennie and Curleys wife to express these views. George and Lennie are the most interesting starting point for such an exploration since they are the only two characters in the novel who are defined by their companionship rather than loneliness. George proclaims proudly to Lennie in the early pages of the novel, that itinerant ranch-hands, typical of the economic Depression in the USA in the 1930s, are the loneliest guys in the world but with us [them] it aint like that. Both George and Lennie know that their friendship gives them a future and gives their life purpose and significance. They want to own a farm where they can live off the fatta the lan' and rear animals; where their feeling of self-worth will not stem from gambling and prostitutes, but from their camaraderie-their importance to each other. On the other hand, other wandering workers got no family and they dont belong no place. George and Lennie know that their companionship sets them apart-it makes them dignified enough to have a dream and think about putting down roots, a dream that most ranch-hands would have had at the time, but would never achieve. Other ranch-hands remained as islands, their lives cut off from anybody elses. The fact that the bond between George and Lennie would have been rare-it is the only instance of true friendship between men in the novel-shows that at the time of the Great Depression, every man was for himself. Indeed, a few characters are suspicious of their friendship, thinking it financially exploitative: You takin his pay away from him? Well, I never seen a guy take so much trouble for another guy. The only reason their friendship exists is because Lennie is so simple; his vulnerability and dependence on George make him loyal and trustworthy, unlike any other ranch-hand. Although George says, When I think of the swell time I could have without you, I go nuts, he knows that Lennies presence makes him feel more important and confident than an average itinerant worker like him would normally-being in charge with Lennie makes him feel in charge of his life. Tragically, however, by the end of the novel this is what George becomes-an average itinerant worker; he has to kill Lennie and after losing the only emotional human connection he had, Georges dream and dignity are both destroyed: He usta like to hear about it so much I got to thinking maybe we would [be able to have the farm.] The fact remains that such an honest friendship has a flawed foundation-Lennies mental debility, although making a friendship possible, also makes him too vulnerable to make prudent decisions. Loneliness is thus inevitable for George and all his fellow wanderers. In many ways, George and Lennies relationship is mirrored by that between Candy and his dog. Again, Candy is able to gain true loyalty and trust only from a dog-a one-dimensional, vulnerable being. When the thick-skinned Carlson asks, He aint no good to you Whynt you shoot him Candy? the only answer Candy can produce is that he had him so long. Over the years, Candy has developed a special bond of care, as opposed to simple utility, with his dog. To Carlson, who can only understand the value of a person in terms of their practical usefulness, due to his experience of the Great Depression, this bond is meaningless. After his dog is shot, Candy is reduced to a useless old cripple, also encapsulated in solitude. The dogs companionship had allowed Candy to cherish his past and be hopeful for his future, but now he has nothing to look forward to: When they can me here I wisht somebodyd shoot me I wont have no place to go an I cant get no more jobs. The dream farm tempts Candy, too, because he feels that owning a place will prevent him from becoming a lonely monument for passing ranch-hands to observe. His desperation for the farm is so intense that even after Lennies death he hopes George may work towards it, but to no avail-Candy too is destined to be alone, unknown and uncared for once he can no longer serve a practical purpose.

Tuesday, January 21, 2020

Symbols and Symbolism in Nathaniel Hawthornes The Scarlet Letter :: Scarlet Letter essays

Symbolism in The Scarlet Letter      Ã‚  Ã‚  Carl Jung believed that the source of symbols is universal. Symbols arise from the collective unconscious common to all humans everywhere. Joseph Campbell's research supports this theory; he traces universal archetypes through the stories, myths, and artwork of various cultures. While most work done with symbolism has focused on the universality of symbols, Nathaniel Hawthorn focuses on their personal, subjective meanings.    A universal symbol arises from the symbol's relationship to reality; thus, such a symbol remains the same across cultures and with different individuals. While symbols can be created, such created symbols are subjective and must be given meaning within their context and because the context is different among individuals and societies and can vary over time, the meanings of the symbols are, likewise, highly variable.    In The Scarlet Letter, the symbol of most importance is the letter A which Hester Prynne is condemned to wear, having been found guilty of adultery. Literally, the letter A is an arbitrary visual representation of particular sounds used in languages. Nothing in the shape of the letter A or any other aspect of its being represents adultery. This shape is agreed upon by people who use the Roman alphabet to begin the series of marks that visually signifies the word adultery. This is not a universally symbolic relationship. The letter A means nothing in itself until the Puritans agree to a meaning in order to mark Hester and this meaning is altered according to the mindset of those interpreting it. Hester with this "mark of shame upon her bosom" is meant to "be a living sermon against sin" (59) yet the residents of Boston "had begun to look upon the scarlet letter as the token, not of that one sin . . . but of her many good deeds since. . . . The scarlet letter had the effect of the cros s on a nun's bosom. It imparted to the wearer a kind of sacredness, which enabled her to walk securely amid all peril" (149). Some people begin saying that A stands for "able" (148).    Another example of the changeable symbolism of the letter A is the astronomical event witnessed by Arthur Dimmesdale and others on the night of Governor Winthrop's death. Dimmesdale as:    a man rendered morbidly self-contemplative . . . had extended his egoism over the whole expanse of nature. Symbols and Symbolism in Nathaniel Hawthorne's The Scarlet Letter :: Scarlet Letter essays Symbolism in The Scarlet Letter      Ã‚  Ã‚  Carl Jung believed that the source of symbols is universal. Symbols arise from the collective unconscious common to all humans everywhere. Joseph Campbell's research supports this theory; he traces universal archetypes through the stories, myths, and artwork of various cultures. While most work done with symbolism has focused on the universality of symbols, Nathaniel Hawthorn focuses on their personal, subjective meanings.    A universal symbol arises from the symbol's relationship to reality; thus, such a symbol remains the same across cultures and with different individuals. While symbols can be created, such created symbols are subjective and must be given meaning within their context and because the context is different among individuals and societies and can vary over time, the meanings of the symbols are, likewise, highly variable.    In The Scarlet Letter, the symbol of most importance is the letter A which Hester Prynne is condemned to wear, having been found guilty of adultery. Literally, the letter A is an arbitrary visual representation of particular sounds used in languages. Nothing in the shape of the letter A or any other aspect of its being represents adultery. This shape is agreed upon by people who use the Roman alphabet to begin the series of marks that visually signifies the word adultery. This is not a universally symbolic relationship. The letter A means nothing in itself until the Puritans agree to a meaning in order to mark Hester and this meaning is altered according to the mindset of those interpreting it. Hester with this "mark of shame upon her bosom" is meant to "be a living sermon against sin" (59) yet the residents of Boston "had begun to look upon the scarlet letter as the token, not of that one sin . . . but of her many good deeds since. . . . The scarlet letter had the effect of the cros s on a nun's bosom. It imparted to the wearer a kind of sacredness, which enabled her to walk securely amid all peril" (149). Some people begin saying that A stands for "able" (148).    Another example of the changeable symbolism of the letter A is the astronomical event witnessed by Arthur Dimmesdale and others on the night of Governor Winthrop's death. Dimmesdale as:    a man rendered morbidly self-contemplative . . . had extended his egoism over the whole expanse of nature.

Monday, January 13, 2020

Lighthouse of Alexandria

The upper platform at night burning a fire fed with wood and resin. Legend has it that Stratton sought for a long time for the foundation, a material that resists salt water, and finally built the tower of giant blocks of glass. In 1373 an earthquake destroyed the remains of the tower. Its ruins have been searched in vain. (Dunn). Illustrious memory of that great era was for many centuries, the famous lighthouse of Alexandria. Sailing near the coast, on foggy days and at night, made necessary the placement of large permanent fixtures In certain ports and cables on the Mediterranean coast.At the time the deal Is for Just one of the most Important works of the ancients, considered In those days as one of the Seven Wonders of the World. I mean the great lighthouse of Alexandria. It seems that this name should be the beacon of the small island where they raised at the entrance of the harbor, and later served to name the sites and devices that have since been constructed for the same purp ose. Plink and other ancient authors describe the magnificent building which was built northwest of the island of Pharaohs, during the reign of Ptolemy Philadelphia, n the years 285 to 247 SC.Its builder was Stratton of Census, son of DimГ ¶crates, who, in turn, had been an architect of Alexander. (Ministry of culture). On a large block of glass is not attacked by the sea â€Å", there stood a white marble tower, divided into smaller and smaller bodies to reach the 160 meters [Dries speaks of 55 to 65 meters; others raise It to 183]. (Ashman). At the top was a large brazier, 11th day and night, with a kind of lens-shaped mirror, which was put before the call to send light rays to greater distance.In the basement of the great work you read the Inscription: Stratton of Census, son of DimГ ¶crates, the saviors, for those who sail the sea. The Arabs continued to use the famous lighthouse after conquering Egypt in the ninth century of our era. An emperor of Constantinople, t o hinder the navigation of those, decided to destroy it, but, lacking the strength to oppose against the caliph, owner of the country, went to the craft. He sent an emissary to the powerful AY-Wald, with the slogan of thinking it was a great treasure at the base of the very high tower.The caliph ordered its demolition, until, warned, perhaps, misleading, destructive work was suspended when she had done for the most part. An earthquake happened in 1375 consummated the destruction of the wonderful work due to Stratton of Unkind. (A. CalmNZ-Land). As If sensing that something was coming to an end, Alexandria kept the world's largest library, a library that tried to preserve â€Å"that was his ambition, all human knowledge. Next to It and above It stood the lighthouse. Next to the lighthouse were the markets and docks and warehouses.Alongside them, the tomb AT Alexander, rater ten palaces AT Kilns Ana queens slang, ten world's TLS synagogues, temples of the esoteric sects, the accounti ng of the merchants, brothels and shops, perfect palaces bleached the richest citizens and then rows of large churches, each with rowdy monks and bones of martyrs, and one of them with the relics of the San Marco's. And all this time, the big city, devouring ran as fast as a machine its daily course, and his career was much harder and much farther reaching Han many older cities.In his day, and if the day was very long, Alexandria was the most exciting place on earth. (Clement) Of all the cities that Alexander founded Alexandria in Egypt was the greatest of all (Whiten). As Caesar himself wrote (and Caesar fought and nearly died in Alexandria), Egypt was the door of the lighthouse beacon that soars and was the symbol of commerce and energy of the city, and also the symbol of the seizure order Alexandra urban planted throughout the ancient East. Noon and Elizabeth Roomer)

Sunday, January 5, 2020

French Art A Testimony Of The Fight For Freedom

Kalyn Harley Dr. Touya HIST 4710 18 June 2015 French Art: a Testimony of the Fight for Freedom Throughout the course of the past four centuries in France, the value of liberty and freedom transcends from history into art. During the American Revolutionary War, Lafayette, a Frenchman, risked his life with the decision to assist the American people with the fight for freedom against England. America’s accomplishment inspired French citizens to start their own revolution against their oppressive monarchy. Artists captured the essence of revolution in their works, such as Delacroix did in his Liberty Leading the People. The progression of time transforms France as a country along with its artistic culture. As observed with World War I†¦show more content†¦During the winter of 1776, Benjamin Franklin made his way to France in hope of obtaining assistance to insure the United States of America’s independence (Schiff 1). Franklin was successful in making the unlikely alliance. One troop from France described American soldiers as â€Å"’English as regards Frenchmen, but Americans toward the English.’†. Reports also share the two countries’ soldiers rather socialized with each other (168). The year 1789 marked the beginnings of French rebellion and revolution. While France’s streets bared witness to uproar, mainstream French artists displayed their art in Great Britain. Their art works thrived in response to the revolution. Previously, French art exhibited grandeur to match Louis XIV’s rule. Art now would shatter the once desirable authority and reveal its true face. France’s artists continued to evolve with the following uprisings of 1830, 1848, and 1870. These revolutions brought forth shocking paintings, such as Delacroix’s Liberty Leading the People (Jones 1). Today, in the Louvre, Delacroix’s Liberty Leading the People resides where all visitors can view the patriotic work. 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